DSpace Repository

Graffiti as a Youth Subculture

Show simple item record

dc.contributor.author Das, Shuvro
dc.date.accessioned 2020-11-16T09:33:21Z
dc.date.available 2020-11-16T09:33:21Z
dc.date.issued 2019-07-06
dc.identifier.issn 2305-0136
dc.identifier.uri http://dspace.daffodilvarsity.edu.bd:8080/handle/123456789/5064
dc.description.abstract This paper intends to study the implication of graffiti as a weapon of subculture in Bangladesh vis-a-vis its emergence as a new art form that symbolizes rebellion and a call for liberty, equity, and freedom. By dint of graffiti, the young generation of Bangladesh can express their desire to set themselves five from all the obstacles and let their inner voices be heard by others, which makes it the representative of the youth. This paper analyzes the multilayered and multifaceted terrains that graffiti behold and the way it contributes to the upheavals of youth breaking the shackles of oppression and taking an active part in the meaning-making process of the country. Lately, a surge of street art has been widespread, and through this, hopefully, the ruled class people, especially the youngsters, can voice their distress and address the authority. This paper will attempt to address and analyze all these issues in the light of the essay 'Subculture: The Meaning of Style' by Dick Hebdige. en_US
dc.language.iso en_US en_US
dc.publisher Daffodil International University en_US
dc.subject Graffiti en_US
dc.subject Liberty en_US
dc.title Graffiti as a Youth Subculture en_US
dc.title.alternative The Case of Bangladesh Vis-a-vis Hebdige's Observations en_US
dc.type Article en_US


Files in this item

This item appears in the following Collection(s)

Show simple item record

Search DSpace


Browse

My Account