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The Art of Manipulation of Existentialism as a Literary Mode in the Novels Dangling Man, the Victim and Seize the Day by Saul Bellow

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dc.contributor.author Rahman, Md. Mustafizur
dc.date.accessioned 2015-04-18T10:32:16Z
dc.date.accessioned 2019-05-28T09:26:20Z
dc.date.available 2015-04-18T10:32:16Z
dc.date.available 2019-05-28T09:26:20Z
dc.date.issued 2015-04-18
dc.identifier.uri http://hdl.handle.net/20.500.11948/1188
dc.description.abstract Abstract: Modern writers such as William Faulkner, Ernest Hemingway, Sigmund Freud, Samuel Becket, Flaubert, Dostoevsky, Joyce, Lawrence, and Eliot directly influenced the form, content, and style of Saul Bellow’s novels, but Bellow’s approach towards existentialism as a literary mode was against the tradition. Saul Bellow in his novels shows that at the inside of existential alienation his protagonists remain optimistic till the end. His stories end not in fragments of frustration, but with a redemptive vision of humanity. The thesis of the paper at hand is to demonstrate and establish how Saul Bellow manipulates his fictionist approaches in the novels Dangling Man, The Victim and Seize the Day, being influenced by the philosophy of existentialism, and how much he is different in his approach compared to other traditional existentialist writers en_US
dc.title The Art of Manipulation of Existentialism as a Literary Mode in the Novels Dangling Man, the Victim and Seize the Day by Saul Bellow en_US
dc.type Technical Report en_US


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